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The Polar Museum: news blog

Posts Tagged ‘documentation’

Science at the Polar Museum!

Wednesday, August 17th, 2016

I’m an MPhil student at SPRI, hopefully progressing on to a PhD come October, and after realising I was going to have a three-month gap over the summer between the end of the former and the start of the latter, I was anxious to do something vaguely productive for at least a part of it. I therefore spoke to Charlotte, the curator, who it turned out had something in mind for just such an occasion. My academic work focuses on computer modelling of glaciers, which, you may think, has very little to do with a museum. To some extent, you’d be right, but not entirely (and who says you can’t be interested in more than one thing anyway?). What I was being asked to do, using my scientific expertise, was to look through the Polar Museum’s large collection of science-related artefacts, identify strengths and weaknesses, and suggest items that could be added to the collection to fill any obvious gaps, particularly with regards to modern Polar science (see, I said modelling wasn’t entirely irrelevant). This was known to be a bit of a gap in what was, unsurprisingly, a more historically-oriented collection.

Stuffed carrier pigeon from the Andrée balloon expedition to the North Pole

Is it a bird? Is it a plane? Yes, it’s a bird. The Museum’s stuffed carrier pigeon from the fatally-unsuccessful Andrée balloon expedition to the North Pole.

Having spent an inordinate amount of time combing through the Museum’s database, launching exploratory expeditions to the basement and deciding quite what you categorise a stuffed carrier pigeon as (is it natural history? Is it communications technology? Is it a navigational aid?), I’ve managed to get a fair idea of what we have and haven’t already got. As a result of this, I’ll be writing a report for Charlotte outlining the current state of the collection and suggesting what we might want to consider acquiring to strengthen it. One problem that has become obvious is that, with modern Polar science being so based on remote sensing (i.e. using satellites and airborne instruments to gather data) and computer analysis, the actual number of tangible objects related to it is rather smaller than it was a century ago – and most of the ones that do exist are essentially variations on the theme of ‘something that looks like a smartphone’. Given getting an entire satellite isn’t really practical for such a small museum, I’ve had to think a bit more widely about what best represents modern science. I’ve come up with a few ideas, so watch this space to see if any exciting new gizmos make their appearance in the future! Further blog posts will be forthcoming, giving a bit more detail about some of the objects I’ve found and some of my ideas.

Needless to say, it’s been a busy few weeks!

Samuel

Record reformatting is happening

Tuesday, April 21st, 2015

The final structure of our template record (field headings only).

It’s been a long time coming but we have finally (or very nearly almost) finalised our standardised record template which will work for all of the objects in the museum’s collections – be they Arctic, Antarctic, polar general or art works. This has been an enormous part of the Antarctic Cataloguing Project so far – and perhaps a much bigger and more-time consuming task than I’d first expected – but I’m absolutely certain that it’s been worthwhile. To accompany the template we’ve also produced some really detailed guidelines on what information should be recorded where and in what format, how and when to repeat individual fields or groups of fields, and when to use termlists.

As well as setting up termlists for all the fields where we want to use controlled terminology, we’ve made huge advances in our use of the functionality of Modes (our collections management database) in order to set up termlists which hyperlink to biographical records for people, organisations and expeditions. These records still need populating – an ongoing task that we’ll be working on for quite a while – but everything is now in place. The great thing is that these are resources that can be shared by the museum, archive and picture library catalogues, and we won’t need to repeat biographical information in individual object/archive/photographic records. And ultimately, if all goes according to plan, this biographical information will become available as part of the Antarctic online catalogue, whereby clicking on the name of person or expedition will take you to a page about them.

After a wave of terror (what if it all goes wrong?) and a very deep breath, I’ve now started reformatting the Antarctic records to match the new template. Unfortunately, because of the inconsistencies in the structure of the existing records, it isn’t possible to map records from the old format to the new so it has to be done by hand. However, I don’t mind doing it. In fact, reformatting records makes me very very happy! And it gives me a chance to familiarise myself with the information in the records and to tidy up some of the data where necessary. The plan is that whenever I add a new physical description to an Antarctic object record following the object study/condition assessment, I’ll reformat the record – so this will obviously be an ongoing process throughout the two years of the project. And I really hope that somehow we’ll find a way to reformat all of the other records in the database that are outside the scope of the project (i.e. everything that isn’t Antarctic).

Although it’s going to be a slow process, the benefits will be enormous. A standard record format will make it much easier to search our collections and will help us manage information about the objects and things that happen to them, such as keeping track of research visits, conditions checks, exhibitions and loans. It will also help with the creation of the online catalogue – the current differing structures of records makes writing the code for the web catalogue a challenge. And, although perhaps not so important in the grand scheme of things but nevertheless very important to me, the records will all look the same and will be a thing of beauty! I can’t wait!