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June « 2014 « The Polar Museum: news blog

The Polar Museum: news blog

Archive for June, 2014

Scott’s wedding cake

Thursday, June 19th, 2014

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Not many people know that the Polar Museum has a piece of Captain Scott's wedding cake, which was donated to us in 1983 by his son, Peter.  When I discovered this I was intrigued (especially as it is the wedding season) and decided to take a closer look.  The piece of cake is still in the box which it came to the museum in – an old pink cardboard jewellery box:

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Inside, the cake is wrapped in a piece of paper, and there is a press cutting about the wedding, and also a handwritten note on an envelope.  The note is from Oriana Wilson (the wife of Edward Wilson, who died with Scott in Antarctica), although there is no clue who it was written to.  It says "I am so sorry that this has got so squashed – it was in my husband's tailcoat pocket after the reception, and I am afraid he sat on the pocket!  But it tastes all right I hope":

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Perhaps the person who received the cake didn't much fancy it after that and decided to keep it as a souvenir instead, and ironically that is how it has survived for so long.

The cake itself is very fragile and crumbling to bits, so it can't be completely unwrapped. 

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Inside the outer layer of paper, the cake is wrapped in a bit of doily, presumably from the wedding reception.  You can just see a bit of cake poking out of the wrapping – and it looks as though it was a plain sponge cake, not a fruit cake as I was expecting.  Some of the loose crumbs are darker brown, which might suggest it was a chocolate and vanilla marble sponge, or might be related to how the cake has degraded with age.  I can't see any sign of icing… 

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You can just see the edge of the cake poking out in the upper right area above the "wheel" shaped cutout – it looks like a bit of old shortbread wrapped in paper.  On the lower left of the image are dark brown crumbs.

Naturally we would never eat part of a museum artefact, or even have a little lick (and frankly I wasn't even slightly tempted to try a piece of cake over a hundred years old which has been sat on into the bargain).  However, I did sniff it and can report a slight whiff of sweetness still survives.

It might seem surprising that cake could survive so long without going mouldy, but if it was just allowed to dry out naturally and kept in a reasonably dry atmosphere, it would simply go hard and brittle, and not mouldy at all.  Sometimes sugar can deteriorate over a long time by a chemical reaction (a type of oxidation process called the Brown-Mallarmé reaction) but I can't see enough of the cake to tell whether this might be happening in this case.

The press cutting is fascinating, with lots of information about the wedding dress and going away outfit (which included "a large brown hat with blue wings").  The bride, Kathleen, was clearly quite well connected, as the ceremony took place at the Chapel Royal in Hampton Court, and the reception was at the Oak Room of Hampton Court Palace (Scott himself had quite a modest background).  The wedding was on 2nd September 1908, when Kathleen was already 30 and a fully fledged sculptor moving in artistic circles.  This explains why Auguste Rodin and J.M.Barrie (author of Peter Pan) were both at the wedding!  Although they came from very different worlds, Scott and Kathleen had a happy marriage.

The press cutting and the note were both getting damaged by being squashed into the box with the cake, so they have now been taken into the archive, which is their proper home.  Sadly the cake is too fragile to be displayed…

 

Sophie

The journey of a new stamp collection

Tuesday, June 17th, 2014

Hannah Carney, Creative Apprentice, University of Cambridge Museums

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The Polar Museum’s new exhibition is Delivery by Design: Stamps in Antarctica and I was lucky enough to go and see the stamps, printing proofs and the original artwork being moved from the British Library to The Polar Museum with the assistance of the Foreign Commonwealth Office.

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On 30 April, Bridget Cusack, The Polar Museum’s Development Coordinator and I went to the British Library in London to pick up the collection. We met with Ken Ball from Crown Agents, and Vicky Taylor and Paul Skinner from the British Library. Once everyone was there, we went up to Paul’s office to see and collect the stamps. The collection was in several envelopes and when we got to the office, staff from the British Library were writing a list of all the stamps that they  were going to hand over.

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While the list was being typed up, Ken Ball suggested that we did a random sampling to see the condition of the stamps. I enjoyed this as I got to see the artwork up close and all the detail which went into it. I really liked looking at the printing proofs as you can see all the notes which were written for the printers.  I also thought that it was interesting to see the range of designs of the stamps, as there were the obvious designs like penguins and the less obvious ones such as the sea life of Antarctica.

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After we did the sampling Bridget, Vicky, Ken and Paul all signed the documents that they needed to. Then we had to load all the stamps into our means of transport for the day (Bridget’s car.) This was interesting as we had to fit all of the stamps into two boxes and load them into car. Once everything was safely and securely packed up it was time for the trip back.

Overall I really enjoyed this experience as it taught me a lot about moving objects, the logistics and the effort it takes to collect objects.

All change

Friday, June 6th, 2014

We are now preparing our temporary gallery for an exciting new exhibition on Antarctic stamps, due to open next week.  Regular visitors will know that the gallery space changes dramatically every time there is a new exhibition, and this time is no exception.  The last exhibition had a mockup of the inside of a submarine used in under-sea mapping:

An image of the submarine in the Sea Monsters to Sonar exhibition at The Polar Museum

That was built specially for the exhibition by our multi-talented curators, John Ash and Bryan Lintott.  Now it has been dismantled and recycled, and the walls from that exhibition taken down.  Often the temporary structures are held in place with huge bolts, so the walls in the temporary gallery have to be made good and repainted between exhibitions too – incidentally, anyone who can come up with an original comment  when they see us patching and painting the walls can have a prize from me!

We also move our display cases round for each new show, and dismantle the ones we don't need.  Yesterday we took apart the biggest display case.  The glass walls are very large and heavy and of course fragile too, so we need plenty of hands to help take the case apart safely.  The bottom of the case comes out and then all the parts can be unscrewed:

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The best way to control some parts of the process is to get inside the case (which always amuses visitors to the Museum).  This time it was Bryan on display:

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There is always a hairy moment when the roof is off and the walls could flop outwards….  So someone is on hand to support each wall while the bottom edge is unscrewed:

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For our new exhibition the Fitzwilliam Museum have very kindly lent us some huge tabletop display cases, which will be perfect for showing the beautiful stamps. Right now the temporary gallery looks very empty, but we will be installing the new show very soon, in time for opening on 12th June.

Sophie